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Jean-Auguste Dominique Ingres Madame Motessier Seated oil painting


Madame Motessier Seated
Painting ID::  33852
Jean-Auguste Dominique Ingres
Madame Motessier Seated
mk87 1856 Oil on canvas 120x92.1cm London,National Gallery

   
   
     

Jean-Auguste Dominique Ingres Joan of Arc at the Coronation of Charles VII in Reims oil painting


Joan of Arc at the Coronation of Charles VII in Reims
Painting ID::  33862
Jean-Auguste Dominique Ingres
Joan of Arc at the Coronation of Charles VII in Reims
mk87 Cathedral 1854 Oil on canvas 240x178cm Paris,Musee National du Louvre

   
   
     

Jean-Auguste Dominique Ingres The Turkish Bath oil painting


The Turkish Bath
Painting ID::  33863
Jean-Auguste Dominique Ingres
The Turkish Bath
mk87 1862 Oil on canvas,diameter 108cm Paris,Musee National du Loouvre

   
   
     

Jean-Auguste Dominique Ingres Valpincon Bather oil painting


Valpincon Bather
Painting ID::  33864
Jean-Auguste Dominique Ingres
Valpincon Bather
mk87 1808 Oil on canvas 146x97.5cm Paris,Musee National du Louvre

   
   
     

Jean-Auguste Dominique Ingres Mademoiselle Riviere oil painting


Mademoiselle Riviere
Painting ID::  33865
Jean-Auguste Dominique Ingres
Mademoiselle Riviere
mk87 1806 Oil on cnavas 100x70cm Paris,Musee National du Louvre

   
   
     

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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     | Frank Russell Green | Paul Falconer Poole | Peter Severin Kroyer |


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